Synopsis<\/h3><\/div><\/div><\/div>\u2018A Touch Of Brightness\u2019, written nearly half a century ago, centres on Rukhmani, a girl sold to a brothel in Mumbai and her relationship with Pidku, a street urchin, who tries desperately to rescue her from her life as a prostitute. Rukhmani mesmerises Pidku with her visionary stories of the gods and her dreams of a different way of life.<\/p>\n<\/div><\/div><\/div>
Alyque\u2019s Take<\/h3><\/div><\/div><\/div>\u201cOne day Pratap asked me to direct a play he had written, called \u2018A Touch Of Brightness\u2019. The play had been accepted for the Commonwealth Arts Festival in 1965. I readily agreed and we started rehearsing.
The play was set in Kamathipura, Bombay\u2019s red-light district. We had some fine actors in it. There were Zul Vellani, Vijaya Mehta (n\u00e9e Vijaya Jaywant and later Vijaya Khote), Pearl Padamsee, Farrokh Mehta and many others. It was written in a medium that was a bit like R.K. Narayan\u2019s English, where each character speaks a kind of ruralised English depending on their background. So Zul was the beggar Banarasi Babu. Bhabhi Rani, the madam of the brothel and a very colourful character, was played by Pearl.<\/p>\n
I think Pearl more or less transmuted Pat\u2019s dialogue into her own version of what she thought a Bhabhi Rani would speak.\u201d<\/p>\n<\/div><\/div><\/div><\/div><\/div>
Cast & Team<\/h3><\/div><\/div><\/div>![\"\"](\"https:\/\/betadevelopment.in\/apm\/wp-content\/uploads\/2024\/07\/Farrokh-Mehta-1.jpg\")
<\/div>Farrokh Mehta<\/h4><\/div><\/div><\/div><\/div>![\"\"](\"https:\/\/betadevelopment.in\/apm\/wp-content\/uploads\/2022\/08\/Copy-of-Pearl-Padamsee-1.jpg\")
<\/div>Pearl Padamsee<\/h4><\/div><\/div><\/div><\/div>![\"\"](\"https:\/\/betadevelopment.in\/apm\/wp-content\/uploads\/2024\/07\/Vijaya-Mehta.jpg\")
<\/div>Vijaya Mehta <\/h4><\/div><\/div><\/div><\/div>![\"\"\/](\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\")
<\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div><\/i><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
\u2018A Touch Of Brightness\u2019, written nearly half a century ago, centres on Rukhmani, a girl sold to a brothel in Mumbai and her relationship with Pidku, a street urchin, who tries desperately to rescue her from her life as a prostitute. Rukhmani mesmerises Pidku with her visionary stories of the gods and her dreams of a different way of life.<\/p>\n<\/div><\/div><\/div>
Alyque\u2019s Take<\/h3><\/div><\/div><\/div>\u201cOne day Pratap asked me to direct a play he had written, called \u2018A Touch Of Brightness\u2019. The play had been accepted for the Commonwealth Arts Festival in 1965. I readily agreed and we started rehearsing.
The play was set in Kamathipura, Bombay\u2019s red-light district. We had some fine actors in it. There were Zul Vellani, Vijaya Mehta (n\u00e9e Vijaya Jaywant and later Vijaya Khote), Pearl Padamsee, Farrokh Mehta and many others. It was written in a medium that was a bit like R.K. Narayan\u2019s English, where each character speaks a kind of ruralised English depending on their background. So Zul was the beggar Banarasi Babu. Bhabhi Rani, the madam of the brothel and a very colourful character, was played by Pearl.<\/p>\n
I think Pearl more or less transmuted Pat\u2019s dialogue into her own version of what she thought a Bhabhi Rani would speak.\u201d<\/p>\n<\/div><\/div><\/div><\/div><\/div>
Cast & Team<\/h3><\/div><\/div><\/div><\/div>Farrokh Mehta<\/h4><\/div><\/div><\/div><\/div><\/div>Pearl Padamsee<\/h4><\/div><\/div><\/div><\/div><\/div>Vijaya Mehta <\/h4><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div><\/i><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
\u201cOne day Pratap asked me to direct a play he had written, called \u2018A Touch Of Brightness\u2019. The play had been accepted for the Commonwealth Arts Festival in 1965. I readily agreed and we started rehearsing.
The play was set in Kamathipura, Bombay\u2019s red-light district. We had some fine actors in it. There were Zul Vellani, Vijaya Mehta (n\u00e9e Vijaya Jaywant and later Vijaya Khote), Pearl Padamsee, Farrokh Mehta and many others. It was written in a medium that was a bit like R.K. Narayan\u2019s English, where each character speaks a kind of ruralised English depending on their background. So Zul was the beggar Banarasi Babu. Bhabhi Rani, the madam of the brothel and a very colourful character, was played by Pearl.<\/p>\n
I think Pearl more or less transmuted Pat\u2019s dialogue into her own version of what she thought a Bhabhi Rani would speak.\u201d<\/p>\n<\/div><\/div><\/div><\/div><\/div>
Cast & Team<\/h3><\/div><\/div><\/div><\/div>Farrokh Mehta<\/h4><\/div><\/div><\/div><\/div><\/div>Pearl Padamsee<\/h4><\/div><\/div><\/div><\/div><\/div>Vijaya Mehta <\/h4><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div><\/i><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
<\/div>Farrokh Mehta<\/h4><\/div><\/div><\/div><\/div><\/div>Pearl Padamsee<\/h4><\/div><\/div><\/div><\/div><\/div>Vijaya Mehta <\/h4><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div><\/i><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
<\/div>Pearl Padamsee<\/h4><\/div><\/div><\/div><\/div><\/div>Vijaya Mehta <\/h4><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/i><\/div><\/i><\/div><\/div><\/div><\/div><\/div><\/div><\/div>
<\/div>![\"\"](\"https:\/\/betadevelopment.in\/apm\/wp-content\/uploads\/2024\/06\/3-3.jpg\" "\\"\\"")
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